Fonderie Limone Moncalieri 26 October 2011 | 8.30 pm<\/strong> Following the triumph of the acclaimed May B, Maguy Marin returns to Torino with a surprising, visionary pi\u00e8ce, the expression of a choreographer who applies great ethical commitment to her work, at times it may shock, but it is required for what it presents and asserts. In works, like her recent Turba or Description d\u2019un combat, poetry revives the present which is perceived as a spread of ruins, blackened by the great collective catastrophes of the twentieth century. Salves is a statement about the urgency of recording the need for a global sea-change, about the need to take hold of one\u2019s destiny and build the future with a sense of awareness, rebelling against policy choices that overwhelm human beings and their values. Salves is decidedly a political work conveyed with very quick moving scenes and celebrated by an extraordinary finale: a battle around an immense, fully laid table throwing sauces and paint.<\/p>\n Fonderie Limone Moncalieri 16 November 2011 | 8:30 pm<\/strong> The first of two events with the Compagnie Rosas, Bart\u00f3k \/ Mikrokosmos is one of the dazzling series of works that have revealed Anne Teresa De Keersmaeker\u2019s choreographic language. Many first works from young artists who subsequently become great masters already contain the conceptual, semantic and thematic core elements that are later hallmarks of their more mature artistic world. We discover this in Bart\u00f3k \/ Mikrokosmos, which forcefully communicates the pleasure of dancing and playing music together, as Anne Teresa De Keersmaeker glosses: \u201c It has often been the music that has driven me to create: Reich, Bart\u00f3k and Monteverdi, according to the vantage points offered, or rather given by the music, which with its self-contained structure enables one to keep within the work one is developing and also stand away from it…\u201d<\/p>\n <\/strong>Fonderie Limone Moncalieri 18 – 19 November 2011 | 8:30 pm – Italian premi\u00e8re<\/strong> This new Rosas creation was programmed for its world premi\u00e8re at the Avignon Festival in July 2011, and it is the first time after Pina Bausch that dance is being hosted in the magical space of the Palace of the Popes, truly a consecration for the talent and creativity of Anne Teresa De Keersmaeker. Impeccable structural order, limpid terseness of gestures, musicality of bodies in the pure state, all this could describe her creative power. The second Torinodanza date with Rosas is a new production in which the company continues along the path first started with En Attendant with Bj\u00f6rn Schmelzer and his ensemble Graindelavoix, an artistic collective that experiments with possible connections between music and performance. Roles are exchanged and interwoven with never-ending virtuosity: the dancers sing, the musicians dance, an ideal interaction centred around the Ars subtilior, the music style of the French XIVth century with its great rythmic and execution complexity.<\/p>\n Teatro Carignano<\/strong> 2 – 3 – 4 December 2011 | 8:30 pm<\/strong> –\u00a0 Italian premi\u00e8re<\/strong> This show\u2019s creation in 1991, performed by dancers, singers and actors, was undoubtedly an event: La Princesse de Milan marries one of Shakespeare\u2019s most grandiose and esoteric texts with the talent of Karine Saporta and the world renowned musician Michael Nyman. Sumptuous stage sets, echoes of the Renaissance, the melancholy and enchantment expressed by The Tempest have led Saporta to a perfect merger of theatre, music and visual arts, archaic and modern at once: scenes built around affected postures, rocked by unseemly convulsions – summersaults, elevations, flights, eddies of fabrics, palpitations and whirlpools.<\/p>\n","protected":false},"excerpt":{"rendered":" SALVES Fonderie Limone Moncalieri 26 October 2011 | 8.30 pm conception Maguy Marin in collaboration with Denis Mariotte players Ulises Alvarez, Teresa Cunha, Matthieu Perpoint,…<\/p>\n","protected":false},"author":1,"featured_media":722,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-282","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-eng"],"acf":[],"_links":{"self":[{"href":"http:\/\/www.torinodanzafestival.it\/index.php?rest_route=\/wp\/v2\/posts\/282","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.torinodanzafestival.it\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.torinodanzafestival.it\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.torinodanzafestival.it\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.torinodanzafestival.it\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=282"}],"version-history":[{"count":0,"href":"http:\/\/www.torinodanzafestival.it\/index.php?rest_route=\/wp\/v2\/posts\/282\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.torinodanzafestival.it\/index.php?rest_route=\/wp\/v2\/media\/722"}],"wp:attachment":[{"href":"http:\/\/www.torinodanzafestival.it\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=282"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.torinodanzafestival.it\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=282"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.torinodanzafestival.it\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=282"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n conception Maguy Marin
\nin collaboration with Denis Mariotte
\nplayers Ulises Alvarez, Teresa Cunha,
\nMatthieu Perpoint, Romain Bertet,
\nMayalen Otondo, Jeanne Vallauri, Vania Vaneau
\nassistant Ennio Sammarco
\nCo-production Biennale de la danse de Lyon 2010 \/ Th\u00e9\u00e2tre de la Ville de Paris \/ Centre Chor\u00e9graphique national de Rillieux-la-Pape – Cie Maguy Marin<\/em><\/strong><\/p>\n <\/strong>
\n BART\u00d3K \/ MIKROKOSMOS<\/strong>
\n <\/strong><\/h2>\n
\nchoreography Anne Teresa De Keersmaeker<\/strong>
\n danced by Rosas<\/strong>
\n music B\u00e9la Bart\u00f3k, Gy\u00f6rgi Ligeti<\/strong>
\n Compagnie Rosas<\/strong><\/em><\/p>\n <\/strong>
\n CESENA<\/strong><\/h2>\n
\ncreation Anne Teresa De Keersmaeker, Bj\u00f6rn Schmelzer<\/strong>
\n Created with and danced by Rosas and Graindelavoix<\/strong><\/em>
\n Co-production Compagnie Rosas, La Monnaie \/ De Munt (Bruxelles) \/ Festival d\u2019Avignon \/ Th\u00e9\u00e2tre de la Ville (Parigi)<\/strong> \/ Grand Th\u00e9\u00e2tre de Luxembourg \/ Festival Oude Muziek Utrecht \/ Guimar\u00e3es 2012 \/ Steirischer Herbst (Graz) \/<\/strong> deSingel (Anversa) \/ Concertgebouw Brugg<\/strong><\/em><\/p>\n<\/strong>LA PRINCESSE DE MILAN – 2011 Edition<\/strong>
\n<\/strong><\/h2>\n
\ncreation, choreography, mise en sc\u00e8ne<\/strong> Karine Saporta<\/strong>
\n A choreographic piece inspired by William Shakespeare\u2019s The Tempest<\/strong>
\n music Michael Nyman<\/strong>
\n production Compagnie Karine Saporta<\/strong>
\n A production of the Centre Chor\u00e9graphique National de Caen\/Basse-Normandie and the Com\u00e9die de Caen-Centre Dramatique National de Normandie<\/strong><\/em>
\n Co-production with Th\u00e9\u00e2tre de la Ville \/ Octobre en Normandie \/ Festival RomaEuropa \/ La Coursive Sc\u00e8ne Nationale la Rochelle \/ Th\u00e9\u00e2tre des Arts de Rouen \/ Sc\u00e8ne Nationale de Cherbourg<\/strong><\/em><\/p>\n