{"id":2060,"date":"2013-06-27T07:54:13","date_gmt":"2013-06-27T07:54:13","guid":{"rendered":"http:\/\/10.0.1.180\/?p=2060"},"modified":"2014-03-31T15:34:44","modified_gmt":"2014-03-31T15:34:44","slug":"english-page","status":"publish","type":"post","link":"https:\/\/www.torinodanzafestival.it\/?p=2060","title":{"rendered":"English page"},"content":{"rendered":"

THE RISK OF THE FUTURE
\nby Gigi Cristoforetti<\/em><\/h3>\n

Nowadays, people rarely speak about future, risk or dream. Yet what is to be expected from a cultural project? I hope I\u2019ll be able to reconcile to a certain form of beauty, closer to the sun than to a wine cellar: a melancholy beauty, ready to indulge in emotions, to release the moorings and get lost in unknown lands, from which we no longer wish to come back. I want a culture capable to nourish my desire for seduction, which should never be passive. (Thomas Erber ).
\nTherefore, while we live the 2013 festival between the Ballet de Marseille (in the year of Marseille, European Capital of Culture) and the expected performance of Anne Teresa de Keersmaeker with Boris Charmatz, we begin to open a window to the future and we announce the project that will bind Torinodanza and the Biennale de la Danse de Lyon from 2014.
\nThe risk that we take coincides with the dream to grow the binomial Turin as well as Dance at the international level. The 2014 festival will be the beginning of a path that will not only test our programme, but which will open for the active participation of schools and associations of dance and circus of the territory. Meanwhile, here we are in 2013, a year in which three themes intersect.
\nA strange beauty is the section of the visionary unleashing of the most interesting artists, who can create aesthetic emotions. We can mention Emio Greco and Olivier Dubois with the Ballet de Marseille (13,14,15 September), the return of the Cedar Lake (September 21 and 21) and Karine Ponties (19 October). Then, the musical gesture is represented by the final show Partita 2, by de Keersmaeker \/ Charmatz (13 and 14 November), searching for the inventive and necessary sense in the relationship between music and choreography.
\nFinally, we anew a theme beloved by the public with the magic body, which refers to contiguous and fascinating worlds as the contemporary circus and the nouvelle magie (Plan B,7,8,9 November , and Le soir des Monstres, 25 and 26 October ).
\nA rich program, in which we also find Ambra Senatore(resident artist of Torinodanza, on October 3) and the three appointments of the RiC.CI project, dedicated to the reconstruction of the Italian choreography of the 80\u2019s (12 and 13 October). Finally we are very proud of our important collaborations with Teatro Regio, Unione Musicale, Settembre Musica, Torino Spiritualit\u00e0 and il Circolo dei Lettori.<\/p>\n

Fonderie Limone Moncalieri – Sala grande<\/strong>
\nSeptember 13, 14 and 15, 2013 | Italian premi\u00e8re \u2013 09:00 p.m. (length 30\u2019)<\/strong>
\nDOUBLE POINTS: EXTREMALISM<\/strong>
\nChoreography: Emio Greco\u00a0 | Pieter C.Scholten
\nScenes, lights, sound: Pieter C.Scholten | Emio Greco
\nLights: Henk Danner
\nCostumes: Clifford Portier
\n12 Dancers
\nBallet National de Marseille<\/em>
\nIn co-production with the International Choreographic Arts Centre (ICK) \/ Emio Greco | PC (Amsterdam)<\/em><\/p>\n

Fonderie Limone Moncalieri – Sala grande<\/strong>
\nSeptember 13, 14 and 15, 2013 | Italian premi\u00e8re \u2013 the following show (length 40\u2019)<\/strong>
\n\u00c9L\u00c9GIE<\/strong>
\nChoreography:\u00a0 Olivier Dubois
\nChoreography assistant : Cyril Accorsi
\nLights :\u00a0 Patrick Riou
\nMusic :\u00a0 Richard Wagner El\u00e9gie WWV 93 en la B\u00e9mol, Fran\u00e7ois Caffenne
\n16 Dancers
\nBallet National de Marseille<\/em>
\nin co-production with COD \/ Compagnie Olivier DUBOIS<\/em>
\nco-creation MP2013 (Marseille-Provence 2013 – Capitale Europ\u00e9enne de la Culture)<\/em>
\nperformances included in the MITO SettembreMusica and created in collaboration with FranceDanse 2013, Institut Fran\u00e7ais Italia\/ Ambassade de France en Italie, Nuovi mecenati Fondazione Franco-Italiana per la Creazione Contemporanea, Institut Fran\u00e7ais, MP2013 (Marseille-Provence 2013 \u2013 Capital Europ\u00e9enne de la Culture) and Torino incontra la Francia<\/em><\/p>\n

Torinodanza opens the new edition by hosting two productions of the prestigious Ballet National de Marseille, founded in 1972 by Roland Petit and directed since 2004 by Fr\u00e9d\u00e9ric Flamand. The Belgian choreographer has directed the company toward the overcoming of the separation between classical dance and contemporary dance. He threw a bridge between ballet and architecture, plastic and visual arts. It is\u00a0 an artistic expression, whose natural development is the result of the collaboration with famous architects. As far as productions are concerned, the Ballet National de Marseille has enriched its repertoire with the work of important choreographers such as William Forsythe, Lucinda Childs, Nacho Duato and more recently Emio Greco, Pieter C. Scholten and Olivier Dubois. Emio Greco and Pieter C. Scholten have developed an artistic universe full of tension and synchronicity, and have melted together elements of classical and postmodern dance. The curiosity toward the body and its deepest motivations, which was the origin of their collaboration in 1995, has become a new language, where the rigor of the research is combined with the minimalism, and for which the word \u201cextremalism\u201d was coined. With Double Points: Extremalism, a creation for the Ballet National de Marseille, Greco\u00a0 and Scholten have revisited their work, a “story of the flesh”\u00a0 full of a peculiar theatricalism, of\u00a0 touching and energetic movements, where the structural discipline of dance is continuously enriched with eccentricity. Emio Greco, an Italian choreographer and Pieter C. Scholten, a Dutch film director, founded the dance company Emio Greco | PC in 1996 in Amsterdam. Torinodanza has followed their career and staged some of their most important creations, such as the trilogy inspired by the Divina Commedia (Hell, Purgatorio Popopera, You Para | Diso). The company, winner of prestigious international awards, gave rise to the International Choreographic Arts Centre Amsterdam (ICKamsterdam), which was officially launched by Emio Greco & Pieter C. Scholten in 2009. The center is the seat of international\u00a0 and interdisciplinary workshops and\u00a0 seminars, which are devoted to reflect on the dance and to support new talents. The French choreographer and dancer Olivier Dubois, among the top 25 dancers in the world according to the magazine “Danse Europe” has come to dance at the age of 23, after having experienced different sports and musics.
\nDespite this abnormal debut he has danced for Angelin Preljocaj, Karine Saporta, Jan Fabre, Nasser Martin-Gousset\u00a0 and for two months in Las Vegas with the Cirque du Soleil and Celine Dion. In 2006 he creates the award-winning \u201cPour tout l’or du monde\u201d (Prize of\u00a0 the French Critics Association for the creation and interpretation; Prize Jardin d’Europe 2008 in Vienna) on commission of the Festival d’Avignon, where he is back in 2008 with the Fauna(s) project taken from L’Apr\u00e8s-midi d’un faune by Nijinsky. Dubois teaches and holds numerous workshops in a wide variety of contexts, including the National Opera House in Vienna, Athens National School, Cairo Opera House, Troubleyn\/Jan Fabre and Ballet Preljocaj. In 2009 he created and directed R\u00e9volution for 12 dancers from Bolero by Maurice Ravel and Spectre for the Ballet of Monte Carlo in 2010.
\nL’homme de l’Atlantique, a tribute to Frank Sinatra, was presented in 2010 at the Biennale de la Danse de Lyon. The new creation of Olivier Dubois, \u00c9legie will\u00a0 be staged at the Torinodanza festival after making its debut in Marseille on August 28, 2013.<\/p>\n

Fonderie Limone Moncalieri – Sala grande<\/strong>
\nSeptember\u00a0 21 – 22, 2013 ? Italian premi\u00e8re \u2013 09:00 p.m. [length 24\u2019]<\/strong>
\nINDIGO ROSE<\/strong>
\nChoregraphy: Ji?\u00ed Kyli\u00e1n
\nCostumes: Joke Visser
\nScenes: Ji?\u00ed Kyli\u00e1n
\nOriginal light design: Michael Simon
\nLight design readaptation:\u00a0 Kees Tjebbes (Nederlands Dans Theater II, 2005)
\nVideo\/camera: Hans Knill
\nVideo\/editing: Rob de Groot
\nChoreography assistant: Amos Ben Tal, Aurelie Cayla
\nMusic:\u00a0 Robert Ashley, Factory Preset (1993); Fran\u00e7ois Couperin, from L\u2019Apoth\u00e9ose de Lully, Plainte des Memes (1725); John Cage, from Three Dances for Two Prepared Pianos, Dance No. 1 (1945); J.S. Bach, from Das wohltemperierte Klavier, Fuge No. 8 in E Flat Minor
\nInterpreters: to be defined
\nCedar Lake Contemporary Ballet<\/em>
\nWorld premi\u00e8re: November 11, 1998, Nederlands Dans Theater (NDTII), Lucent Danstheater, L\u2019Aia (Paesi Bassi)<\/p>\n

Fonderie Limone Moncalieri – Sala grande<\/strong>
\nSeptember 21 \u2013 22, 2013 ? the following show [length 18\u2019]<\/strong>
\nTEN DUETS ON A THEME OF RESCUE<\/strong>
\nChoreography: Crystal Pite
\nLights: Jim French
\nCostumes: Junghyun Georgia Lee
\nChoreography assistant: Alexandra Damiani
\nMusic: Cliff Martinez \u2013 Music from the original soundtrack of the movie Solaris
\nInterpreters: to be defined
\nCedar Lake Contemporary Ballet<\/em>
\nWorld premi\u00e8re: January 10, 2008, New York City (U.S.A.)<\/em><\/p>\n

Fonderie Limone Moncalieri – Sala grande<\/strong>
\nSeptember 21 \u2013 22,\u00a0 2013 ? Italian premi\u00e8re \u2013 the following show [length to be defined]<\/strong>
\nHORIZONS<\/strong>
\nChoreography: Andonis Foniadakis
\nMusic:\u00a0 Julien Tarride
\ncostumi Tassos Sofroniou
\nLights and Scenes: Mikki Kunttu
\nInterpreters: to be defined
\nCedar Lake Contemporary Ballet<\/em>
\nWorld premi\u00e8re: May 7, 2013, The Joyce Theater, New York City (U.S.A.)<\/em>
\n
\nCedar Lake Contemporary Ballet<\/span><\/strong>
\n Founder:\u00a0 Nancy Laurie<\/span>
\n Artistic director:\u00a0 Benoit-Swan Pouffer<\/span>
\n Executive director:\u00a0 Greg Mudd<\/span>
\n Ballet master: Alexandra Damiani<\/span>
\n Company Manager:\u00a0 Elizabeth Patrick<\/span>
\n Production director: Andrew Cappelli<\/span>
\n Production stage manager: Renata Braga de Almeida<\/span>
\n Director of Development: Marietta Ulacia<\/span>
\n Audio Video Supervisor: Dave Rogge<\/span>
\n Technical director: Kurtis Rutherford<\/span>
\n Lighting Designer:\u00a0 Jim French<\/span>
\n Costume Coordinator:\u00a0 Kelli Haase<\/span>
\n Distribution: Margaret Selby, CAMI Spectrum<\/span>
\n Dancers:\u00a0 Billy Bell, Jon Bond, Nickemil Concepcion, V\u00e2nia Doutel Vaz, Jason Kittelberger, Joseph Kudra, Ana-Maria Lucaciu, Navarra Novy-Williams, Guillaume Qu\u00e9au, Matthew Rich, Ida Saki, Joaquim de Santana, Acacia Schachte, Rachelle Scott, Jin Young Won, Ebony Williams
\nShows in MITO SettembreMusica<\/em><\/span><\/p>\n

The Cedar Lake Contemporary Ballet is\u00a0 brilliant, daring and world famous. It has catalysed the attention of the spectators of Torinodanza festival 2012 with two nights of\u00a0 sold out. For the new edition we feel the same expectation that we experienced with the arrival of the ensemble, founded by Nancy Laurie. The Ballet has\u00a0\u00a0 multilingual features and is open to choreographic and heterogeneous contributions. The spectators of Torinodanza will enjoy three outstanding performances, starting from Indigo Rose, one of the most famous ballet of the successful career of Ji?\u00ed Kyli\u00e1n: a dazzling show with seductive dancers, impeccable technique, an unusual scenography and the music of John Cage.
\nTen Duets on a theme of a Rescue, by Crystal Pite, are ten pas de deux surrounded by a ring of light and\u00a0 animated by a soundtrack that includes music from Solaris. A deep survey in pure Pite style, which questions the meaning of the simple gestures,\u00a0 which is “analysed in fragments now repeated now distorted now suspended”.
\nThe Greek choreographer Andonis Foniadakis,\u00a0 after\u00a0 his studies at Rudra Bejart Lausanne in Switzerland has created choreographies for some of the most prestigious realities of contemporary dance. His career, which is mainly expressed in Europe, led Foniadokis to work on his new creation with the Cedar Lake Ballet.”<\/p>\n

Teatro Carignano<\/strong>
\nSeptember 27, 2013 ? 09:00 p.m. [length 50\u2019]<\/strong>
\nLA BEAUT\u00c9 DU DIABLE<\/strong>
\nCreation, choreography and dance: Koffi K\u00f4k\u00f4
\nMusic: Achille Acakpo (song, percussions) Janos Crecelius (percussions),
\nMoussa Coulibaly (percussions)
\nLighting design:\u00a0 Peter G\u00f6hler
\nDistribution:\u00a0 Christiane Uekermann (feirefitz)
\nProduction: Koffi K\u00f4k\u00f4 in co-operation with feirefitz<\/em>
\nShow in collaboration with Torino Spiritualit\u00e0<\/em>
\nFrom tradition to creation. So it could be summarized the spiritual and artistic research of the performer, dancer and choreographer of Benin Koffi K\u00f4k\u00f4. He is the forerunner\u00a0 of the modern scene of the African dance in Europe, which expresses itself in an original synthesis between black roots and western culture. His artistic studies are a true initiation to dance, passed through the animist rites of\u00a0 his native region and the Nago-Yoruba culture , which relive within the shamanism power emanated by an original language of the body. A way to express mysteries, which cannot be expressed in words. The legacy of an “oracle” dance is the expression of\u00a0 the divine wisdom and\u00a0 finds a new life when Koffi K\u00f4k\u00f4, moves from Benin to Paris and then to New York. Here he got in contact with great artists such as Peter Goss, Yoshi Oida as well as with the Dance Schools of Katherine Dunham and Alvin Alley. Koffi K\u00f4k\u00f4 will be present at the Torinodanza Festival with his last solo, La Beaut\u00e9 du Diable, which deals with the paradox of life, the human and universal duality of good and evil. Koffi Koko comes from a culture where the concepts of good and evil are regarded as an inseparable expression. Hence he questions the Judeo-Christian perception, which separates them.<\/p>\n

Fonderie Limone Moncalieri – Sala grande<\/strong>
\nOctober 3, 2013 | 08:30 p.m.\u00a0 [length 60\u2019]<\/strong>
\nJOHN<\/strong>
\nIdea:\u00a0 Ambra Senatore
\nChoreography: Ambra Senatore
\nIn collaboration with: Matteo Ceccarelli, Elisa Ferrari, Marc Lacourt
\nOn stage:\u00a0 Matteo Ceccarelli, Elisa Ferrari, Marc Lacourt
\nLights:\u00a0 Fausto Bonvini
\nMusic and sound project: Igor Sciavolino
\nMusic:\u00a0 Brian Bellot, Serge Gainsbourg, Yukari Ito, Igor Sciavolino, Antonio Vivaldi
\nProduction: Aldes<\/em>
\nin co-production with R\u00e9seau National des CDC [Le Cuvier d\u2019Artigues – pr\u00e8s – Bordeaux – CDC d\u2019Aquitaine, CDC – Les Hivernales d\u2019Avignon, Art danse CDC Dijon Bourgogne, L\u2019\u00e9changeu CDC Picardie, Le Pacifique, CDC – Grenoble, Danse \u00e0 Lille, CDC Roubaix – Nord Pas de Calais, CDC Paris R\u00e9seau (Atelier de Paris – Carolyn Carlson, L\u2019\u00e9toile du nord, micadanses – ADDP, studio Le Regard du Cygne – AMD XXe), CDC Toulouse\/Midi – Pyr\u00e9n\u00e9es, CDC du Val-de-Marne, Uz\u00e8s danse CDC], L\u2019arc sc\u00e8ne nationale Le Creusot, Sc\u00e8ne Nationale Besan\u00e7on, Ch\u00e2teau Rouge Annemasse, Torinodanza, Fondazione del Teatro Stabile di Torino, Armunia\/Festival Inequilibrio in collaboration with il Centro il Grattacielo di Livorno<\/em>
\nwith the support of\u00a0 Ministero per i Beni e le Attivit\u00e0 Culturali – Direzione Generale per lo spettacolo dal vivo, Regione Toscana – Sistema Regionale dello Spettacolo<\/em>
\nspecial thanks to Caterina Basso, Tommaso Monza, Andrea Roncaglione<\/em><\/p>\n

Ambra Senatore has a playful look that strikes the human nature tout court and remains clear in John, away from the feminine essence of\u00a0 \u201cA posto\u201d and from the game of identity, which is ironized in\u00a0 \u201cPasso\u201d. Who is John? During the period that preceded the staging of this new creation, the interpreters and Ambra Senatore shared a daily body and verbal language made of gestures, words and\u00a0 characters. The name of John was chosen as it is one of the most popular name in the English-speaking area. Ironically Ambra Senatore names the character John, sometimes she changes\u00a0 his name, while she is giving\u00a0 his name as a title to the show. John is a game, a mechanism in which the spectators are called to participate in. The game makes us reflect on our human nature and our way of life. The joyful and vital presence of the interpreters is the crossroad between real life and fiction within a punctual and refined construction,\u00a0 a positive surreal speech on the human being. Choreographer and performer, she works between Italy and France. From 2004 and 2008 she has been the author of solos\u00a0 which stem from the physical observation of simple usual events and portray the point of view on reality with humour. Since 2009 she creates group shows in which motion dynamics with theatrical elements and the\u00a0 usual gestures are melted together. She explores the construction of a dramaturgy that passes through the actions and the presence of the bodies. Her ironic work evocates a fragmented reality, which merges with her questioning on the theatrical fiction as well as on the nature of the kind of show. She worked with Giorgio Rossi, Jean Claude Gallotta, Georges Lavaudant (Teatro Od\u00e9on, Parigi), Marco Baliani, Antonio Tagliarini, Roberto Castello. She is one of ALDES associate choreographers.<\/p>\n

Cavallerizza Reale – Maneggio<\/strong>
\nOctober 12, 2013 | 07:00 p.m. [length 55\u2019]<\/strong>
\nUSDUM<\/strong>
\nChoreography : Claudio Bernardo
\nInterpreters: Milton Paulo, Claudio Bernardo
\nScene and music: Luc d’Haenens
\nMusical arrangements: Daniel Tursch
\nSoundtrack: indigenous Xingus\u00a0 and Bororos tribal songs, Brasilian national anthem, , Pensa em mim Leandro and Leonardo, Beata Viscera P\u00e9rotin, Saint John Passion Johann-Sebastian Bach
\nTexts taken from the\u00a0 Lamentations of Jeremiah
\nLights:\u00a0 Marco Forcella
\nCostumes: Estelle Wanson
\nManagement: Nathalie Kamoun
\nPromotion: L\u00e9onore Guy
\nAs Palavras-cie Claudio Bernardo<\/em>
\nIn collaboration with\u00a0 Indigo and\u00a0 the Atelier Sainte Anne<\/em>
\nwith the support of the Ministry of the French Communioty Wallonie-Brussels \u2013 Dance Sector<\/em>
\nwith the support of Wallonie-Bruxelles International (WBI) as well as\u00a0 Wallonie Bruxelles Th\u00e9\u00e2tre Danse (WBTD)<\/em><\/p>\n

Brazil, the birthplace of Claudio Bernardo, was often a source of inspiration for the artist. Among its major successes Usdum, (1991 choreography) is the show that first showed the incredible capacity of Bernardo to create links between subject and age that may seem far away at first sight. The choreographer and performer has reread Shakespeare from the point of view of the colonization of Brazil (Heart of the Storm) because Usdum already linked the Brazilian largest gold mine (Serra Pelada) with Sodom salt mountain (see Caspar, Melchior and Balthazar by Michel Tournier).\u00a0 The social and literary references transform this work in a hymn of love, in which the cruelty, the beauty and the humor are encountered and all is\u00a0 wrapped up in an eclectic\u00a0 sound context.\u00a0 Claudio Bernardo was born in Fortaleza in Brazil. He began to work in his homeland. Then he moves\u00a0 to Europe, where he works with Mudras, then with the Company Plan K by Fr\u00e9d\u00e9ric Flamand and receives his first awards. In 1996, after five years at the Th\u00e9\u00e2tre de l’Atelier Sainte Anne in Brussels, he founds the Company As Palavras-Cie.
\nClaudio Bernardo is currently residing at Th\u00e9\u00e2tre Varia in Bruxelles!. Since then he concentrated primarily in the choreography and also danced in many of his creations.<\/p>\n

Fonderie Limone Moncalieri – Sala grande<\/strong>
\nOctober 12, 2013 | 9:30 p.m. length 50\u2019]
\nRIC.CI Project | Reconstruction\u00a0 of the\u00a0 Italian Contemporary Choreography in the 80\u2019s and 90\u2019s <\/strong>
\nidea and artistic direction: Marinella Guatterini
\nartistic direction assistant: Myriam Dolce
\nCALORE (THE HEAT)- 1982\/2012<\/strong>
\ndirection, chor\u00e9graphie, scenography, costumes:\u00a0 Enzo Cosimi
\nsoundtrack: Enzo Cosimi
\nmusics: Glenn Branca, Benjamin Britten, Liquid-Liquid, Chris Watson, African pop music
\nlight design: Stefano Pirandello
\nlights:\u00a0 Gianni Staropoli
\napparel: Gianni Serra
\njewels: Cristian Dorigatti
\nperformers: Francesco Marilungo, Riccardo Olivier, Francesca Penzo, Alice Raffaelli
\norganization: Maria Paola Zedda
\n1982 production: Compagnia Occh\u00e8sc
\n2012 reconstruction: Compagnia Enzo Cosimi
\nshows\u00a0 produced in collaboration with Amat – Associazione Marchigiana Attivit\u00e0 Teatrali, Arteven Circuito Teatrale Regionale Veneto, Teatro Pubblico Pugliese and in co-production with\u00a0 Fondazione del Teatro Grande di Brescia, Fondazione Fabbrica Europa per le arti contemporanee, Fondazione Milano Teatro Scuola Paolo Grassi, Fondazione Ravenna Manifestazioni, Fondazione Teatro Comunale di Ferrara, Torinodanza<\/em><\/p>\n

Calore is the first of the three proposals of the RIC.CI Project | (Reconstruction\u00a0 of the\u00a0 Italian Contemporary Choreography in the 80\u2019s and 90\u2019s ) idea by Marinella Guatterini and carried forward by nine Ialian Theaters \u2013 choreography by Enzo Cosimi, enfant terrible of the Italian dance in the 80s. One of the best expressions of the Italian contemporary ballet, he studied at the\u00a0 Mudras of B\u00e9jart. Guest Choreographer for the Teatro alla Scala in Milan and the Teatro Comunale of Florence, he performed with his company\u00a0 in the most important theaters and festivals.
\nHis first show Calore\u00a0 debuts in Rome in september 1982 at the Amphitheater of the Parco dei Daini in Villa Borghese: basic theme, \u201cThe desire to capture the momentum of youth, through an impudent, but at the same time innocent writing of the body\u201d. The show is set on a vigorous energy and at a steady pace and was studied for non-dancers interpreters. The show is a visionary quest where a process of regression is required and it serves as a track to draw an age of endless childhood and adolescence.\u00a0 Thirty years after the sensational debut, Calore, (the most emblematic work of Cosimi\u2019s poetics), puts in motion a bodily and mental transmission to search for a contact with the ideas and the codes of the new generations.
\nThis is a real sound and visual explosion, where the celestial color, that is so dear to the author, symbolically represents the opening to heat and compulsion in contrast to the conceptual\u00a0 and glacial atmosphere at the end of the 70s.
\nCalore is one of the cornerstone works in the history of the Italian dance research, the number one choice of Marinella Guatterini for the RIC.CI Project , recovery program of the repertoire of the Italian contemporary choreography.<\/p>\n

Fonderie Limone Moncalieri – Sala grande <\/strong>
\nOctober 13, 2013 | 07:00 p.m. (length 60\u2019)<\/strong>
\nRIC.CI Project | Reconstruction\u00a0 of the\u00a0 Italian Contemporary Choreography in the 80\u2019s and 90\u2019s<\/strong>
\nidea and artistic direction: Marinella Guatterini
\nartistic direction assistant: Myriam Dolce
\nLA BOULE DE NEIGE – 1985\/2013<\/strong>
\nTaken from Les enfants terribles by Jean Cocteau
\nDirection and choreography : Fabrizio Monteverde
\nMusics and direction: Pierluigi Castellano
\nTexts: Francesco Antinucci
\nSongs of opera taken from\u00a0 L\u2019Orfeo (1672) by Antonio Sartorio
\nMusicians: Patrizia Nasini (voice), Antonio Leofreddi (violin), Valerio Serangeli (electric bass),
\nAlfredo Santoloci (tenor and soprano saxophone), Mike Applebaum (Trumpet, flugelhorn, baroque trumpet), Pierluigi Castellano (Synthesizers, keyboards, bass clarinet, choirs, and electronic percussions)
\nRecorded and mixed music: Paolo Modugno and Massimo Terracini, in 1985 , at the Oasi Studio in Rome
\nRemastering: Pierluigi Castellano
\nCostumes: Gianni Serra
\nLight creation: Carlo Cerri in collaboration with Andrea Narese
\nOriginally interpreted by Fabrizio Monteverde (Paul), Francesca Antonini (Elisabeth), Marco Brega (G\u00e9rard), Patrizia Piccinini (Agathe)
\nCharacters and interpreters:\u00a0 Mirko De Campi\/Nicola Simonetti (Paul), Claudia Manto\/Debora Di Biagi (Elisabeth), Luca Cesa\/Valerio Di Giovanni (G\u00e9rard), Alessandra Berti\/Marta Papaccio (Agathe)
\n1985 production:\u00a0 Spaziozero\/Compagnia Baltica
\n2013 reconstruction: Balletto di Toscana Junior directed by Cristina Bozzolini
\nshows\u00a0 produced in collaboration with Amat – Associazione Marchigiana Attivit\u00e0 Teatrali, Arteven Circuito Teatrale Regionale Veneto, Teatro Pubblico Pugliese a1nd in co-production with\u00a0 Fondazione del Teatro Grande di Brescia, Fondazione Fabbrica Europa per le arti contemporanee, Fondazione Milano Teatro Scuola Paolo Grassi, Fondazione Ravenna Manifestazioni, Fondazione Teatro Comunale di Ferrara, Torinodanza<\/em><\/p>\n

Third production of the RIC.CI Project \/| (Reconstruction\u00a0 of the\u00a0 Italian Contemporary Choreography in the 80\u2019s and 90\u2019s ) and second event of Torinodanza festival, La Boule de Neige is a 1985 choreography by Fabrizio Monteverde. It was danced\u00a0 by the Baltic company and\u00a0 is now entrusted to the Balletto di Toscana Junior. Monteverde began its activities in 1976 as an actor and assistant director, and at the same time he studied with Carolyn Carlson, Moses Pendleton and\u00a0 Daniel Lewis at the Professional Centre for\u00a0 Contemporary Dance in Rome. The “plot” of this work is inspired by one of the most famous and difficult texts by Jean Cocteau, Les enfants terribles, that is surprisingly up to date and modern for the description of the motions and the pulses of adolescence. La boule de neige is the story of a brother and a sister, Paul and Elisabeth, their love, their fate. Marinella Guatterini writes:\u00a0 \u201cLa Boule de Neige is the starting point of a new trend of the Italian contemporary dance. It is a style that differs much from the research of pure energy such as you can feel in Calore by Enzo Cosimi (1982) or in the visionary and post-modern transfiguration of Duetto by Virgilio Sieni and Alessandro Certini (1989). \u201cLes enfants terribles \u201d of the Compagnia Baltica reflected themselves roughly\u00a0 in the four \u201ccursed\u201d protagonists by Cocteau\u201d. Today, the reconstruction of the choreography, entrusted to the dancers of the Company Balletto di Toscana Junior, directed by Cristina Bozzolini, provides ad hoc choreographic changes.<\/p>\n

Cavallerizza Reale – Maneggio <\/strong>
\nOctober 13, 2013 | 09:30 p.m. (length to be defined)<\/strong>
\nRIC.CI Project | Reconstruction\u00a0 of the\u00a0 Italian Contemporary Choreography in the 80\u2019s and 90\u2019s <\/strong>
\nidea and artistic direction: Marinella Guatterini
\nartistic direction assistant: Myriam Dolce
\nTERRAMARA – 1991\/2013<\/strong>
\nChoreography: Michele Abbondanza
\nWith: Eleonora Chiocchini, Francesco Pacelli
\nMusics: J. S. Bach, G. Yared, S. Bor\u00e8 and music of the popular tradition
\n1991 production:\u00a0 Drodesera, Centro Servizi Culturali Santa Chiara
\n2013 reconstruction:\u00a0 Compagnia Abbondanza Bertoni
\nshows\u00a0 produced in collaboration with Amat – Associazione Marchigiana Attivit\u00e0 Teatrali, Arteven Circuito Teatrale Regionale Veneto, Teatro Pubblico Pugliese a1nd in co-production with\u00a0 Fondazione del Teatro Grande di Brescia, Fondazione Fabbrica Europa per le arti contemporanee, Fondazione Milano Teatro Scuola Paolo Grassi, Fondazione Ravenna Manifestazioni, Fondazione Teatro Comunale di Ferrara, Torinodanza<\/em>
\nwith the support of the Ministero per i Beni e le attivit\u00e0 Culturali – Dipartimento Spettacolo, Provincia autonoma di Trento – Servizio attivit\u00e0 culturali, Comune di Rovereto – Assessorato alla Contemporaneit\u00e0, Regione autonoma Trentino – Alto Adige, Cassa Rurale di Folgaria – Filiale di Rovereto<\/em><\/p>\n

In 1988 the meeting of Michele Abbondanza\u00a0 and Antonella Bertoni in Paris marks the beginning of an artistic collaboration that leads to the foundation of the Company Abbondanza Bertoni.\u00a0 Michele Abbondanza studies in New York with Carolyn Carlson and is among the promoters of one of the fundamental experiences for the Italian choreography: the foundation of\u00a0 the company Sosta Palmizi in 1984. In these years, the dancer-choreographer is noted by public and critics. Furthermore, the new born Company Abbondanza Bertoni\u00a0 is\u00a0 one of\u00a0 the Italian companies that has been able to provide entertainment for an extremely enlarged audience and won the ETI\/Stregagatto Award 97\/98 with Romanzo d\u2019infanzia. Their first show as an artistic pair and a couple was performed in 1991: Terramara.
\nFrancesca Pedroni describes it as: “a love story danced as a daily commitment – a feeling to be played not only in the time of secret lovers, but in the time of common labor. Baskets full of oranges to be emptied and filled with, faggots of straw to be moved, sunlit imaginary fields to travel during the months of the harvest. A dance of glances and contacts, where \u201cterramara\u201d (From the latin “terra mala”, i.e. deposits of fat and blackish land, made of the leftovers of vast prehistoric sites) creates the image of a centuries-old stratification of the creative nature (the hundreds of oranges turned upside down on the stage) from which we source and to which we shall return”.
\nTerramara is the third time of the RIC.CI project.<\/p>\n

Cavallerizza Reale – Maneggio<\/strong>
\nOctober 18, 2013 | Italian Premi\u00e8re \u2013 08:30 p.m. [length 55\u2019]<\/strong>
\nHOLEULONE<\/strong>
\nIdea and choreography: Karine Ponties
\nInterpreters: Eric Domeneghetty, Jaro Vinarsky
\nArtistic and animation collaboration: Thierry Van Hasselt
\nLights :\u00a0 Florence Richard
\nMusic :\u00a0 Dominique Pauwels
\nScenes : Wilfrid Roche
\nText: Myl\u00e8ne Lauzon, Eric Domeneghetty
\nLighting technician and technical direction: Guillaume Fromentin
\nAudio video supervisor:\u00a0 Benjamin Pasternak
\nProduction: France Morin
\nProduction:\u00a0 Dame de Pic \/ Cie Karine Ponties<\/em>
\nin co-production with Th\u00e9\u00e2tre Les Tanneurs, LOD, Centre Chor\u00e9graphique National d\u2019Orl\u00e9ans – direzione Josef Nadj, l’Echangeur de F\u00e8re-en-Tardenois, le 3 bis f. lieu d\u2019arts contemporains, Ponec Divadlo<\/em>
\nwith the support of Brigittines, Settore danza della F\u00e9d\u00e9ration Wallonie-Bruxelles<\/em>
\nLa Compagnia Dame de Pic \/ Cie Karine Ponties is financed by Ministero della Cultura della F\u00e9d\u00e9ration Wallonie-Bruxelles – Settore danza and is supported by\u00a0 Wallonie-Bruxelles International (WBI)<\/em>
\nThe administrative residence of\u00a0 the Compagnia Dame de Pic \/ Cie Karine Ponties is the Th\u00e9\u00e2tre Les Tanneurs of Bruxelles<\/em>
\nShow with the support of Wallonie-Bruxelles International (WBI) and\u00a0 Wallonie Bruxelles Th\u00e9\u00e2tre Danse (WBTD)<\/em><\/p>\n

Holeulone: a sound that ravages in whirling movement, a poetic fusion of body and drawing. Inspired by the science fiction the Flowers for Algernon by Daniel Keyes, the show is a clinch between two dancers, who are so perfect in their expression to seem a single body. The choreography redraws the mental path of Charlie, the protagonist of the book, who is a human guinea pig for an out of the ordinary experiment and is the victim of its consequences.\u00a0 On the stage the movements of dancers retrace the crisis of the protagonist, the changing rhythms of his thoughts, real and imaginary memories, clarity and confusion of his perceptions. Then his twin appears. It is as a kind of unbearable mirror of the condition of discomfort of the human being: accelerations and decelerations of thoughts and heart prevent the mind to act with awareness.\u00a0 The entanglement of thoughts, memories and emotions are chasing each other in a lunar landscape, with the mediation of Thierry Van Hasselt\u2019s\u00a0 graphics and Dominique Pauwels\u2019 music. In 1995,\u00a0 after her studies at the Mudra of B\u00e9jart, the French choreographer creates the company Dame de Pic \/ Cie Karine Ponties and receives immediate awards (award P\u00e9pini\u00e8res europ\u00e9ennes pour jeunes artistes, 1996). Her creations have been staged at the Helsinki Theater Dance Department, Lod in Ghent, Montreal Danse, The Petite Fabrique in Paris, Transdance Europe 03-06. Mirliflor has received the Golden Mask\u00a0 2011 in Russia for the best performance of contemporary dance. Karine Ponties has connoted her own creations with her taste for the absurd, her need to explore the interpersonal relationships and to strengthen the emotional impact of the choreography with the support of music, visual art and cartoon. Artists of different expressive signs worked together. They gave life to performances with the rare form of energy that expands during the development of an idea.<\/p>\n

Fonderie Limone Moncalieri – Sala grande<\/strong>
\nOctober 25 – 26 , 2013 | Italian Premi\u00e8re \u2013 08:30 p.m.\u00a0 [length 60\u2019]<\/strong>
\nLE SOIR DES MONSTRES<\/strong>
\nInterpreter, writer and magic creation: Etienne Saglio
\nMagic creation and writing: Rapha\u00ebl Navarro
\nLighting design: Elsa R\u00e9vol
\nOuter look: Albin Warette
\nScene director: Marine Class
\nLighting director: Nicolas Joubaud
\nMusic: Swod
\nAdministration, production, diffusion ay-roop – G\u00e9raldine Werner and Olivier Daco
\nproductione Monstre(s)<\/em>
\nin co-production and with the support of Sc\u00e8ne nationale de Petit Quevilly Mont-Saint-Aignan, Carr\u00e9 Magique Sc\u00e8ne conventionn\u00e9e de Lannion-Tr\u00e9gor, L\u2019Entre-Sort de Furies – Ch\u00e2lons-en-Champagne, Culture Commune Sc\u00e8ne nationale du Bassin Minier du Pas-de-Calais, Cirque th\u00e9\u00e2tre d\u2019Elbeuf, Association Bourse Beaumarchais – SACD, DRAC Bretagne<\/em>
\nthanks to Atelier 231 – Sotteville-l\u00e8s-Rouen, Op\u00e9ra National de Paris, Th\u00e9\u00e2tre du Soleil<\/em>
\nshow designed on March 10 2009 at the Sc\u00e8ne nationale de Petit Quevilly Mont-Saint-Aignan<\/em>
\ngreat thanks to Philippe, Am\u00e9lie, Marion and Pierre, Cl\u00e9ment, Valentine, Madeleine<\/em>
\nshow in collaboration with FranceDanse 2013, Institut Fran\u00e7ais Italia \/ Ambassade de France en Italie, Nuovi Mecenati Fondazione Franco-Italiana per la Creazione Contemporanea, Institut Fran\u00e7ais, Torino incontra la Francia, Teatro a Corte – Fondazione Teatro Piemonte Europa and\u00a0 il Circolo dei lettori<\/em><\/p>\n

The spectators of Torinodanza are welcome to the enchanted world of Etienne Saglio, who is magician, juggler and master in handling. This young artist of\u00a0 the Centre National des Arts du Cirque plays on the distortion of reality and borrows the gothic atmospheres of Tim Burton. Everything happens in a sort of attic full of old things, where a hermit lives, who is interpreted by Etienne Saglio: he is wrapped in a cloak, seated on a broken chair and he produces balls of yarn. He repeats inexorably the same gestures: cutting, twisting, rolling, up to discard all in a rusty trash. When the night falls, however, unusual phenomena happen. The balls move, jump, live a life of their own. Menacing skeletal shadows\u00a0 soar in the room. To our amazement, Saglio is now\u00a0 victim,\u00a0 now accomplice of the objects, which animate “Le soir des monstres”. Etienne Saglio is a juggler and a magician, who studied at the school of circus arts NACC Chalons en Champagne.<\/p>\n

Fonderie Limone Moncalieri – Sala grande<\/strong>
\n November 7 – 8 \u2013 9,\u00a0 2013 | 08:30 p.m. [length 70\u2019]<\/strong>
\n PLAN B<\/strong>
\nAur\u00e9lien Bory \/ Phil Soltanoff
\nWith Mathieu Bleton, Itamar Glucksmann, Jonathan Guichard, Nicolas Lourdelle
\nIdea and scene: Aur\u00e9lien Bory
\nDirection: Phil Soltanoff
\nOriginally interpreted by: Olivier Alenda, Aur\u00e9lien Bory, Lo\u00efc Praud, Alexandre Rodoreda
\nLighting design: Arno Veyrat
\nMusic:\u00a0 Phil Soltanoff, Olivier Alenda, Aur\u00e9lien Bory
\nMusic extras: Ryoji Ikeda, Lalo Schiffrin
\nRepeaters: Olivier Alenda, Lo\u00efc Praud
\nVideo installation: Pierre Rigal
\nCostumes: Sylvie Marcucci
\nScenography: Christian Meurisse, Harold Guidolin, Pierre Dequivre
\nPainter: Isadora de Ratuld
\nSound director: Jo\u00ebl Abriac
\nLighting director: Carole China
\nScene director: Thomas Dupeyron in alternativa con Sylvain Lafourcade
\nAdministration, production, diffusion Florence Meurisse, Christelle Lordonn\u00e9, Marie Reculon
\nproduction Compagnie 111 – Aur\u00e9lien Bory
\nin 2003 in co-production with Th\u00e9\u00e2tre Garonne – sc\u00e8ne europ\u00e9enne, Toulouse – Th\u00e9\u00e2tre de la Digue, Toulouse – Le Train Th\u00e9\u00e2tre-Sc\u00e8ne conventionn\u00e9e, Portes l\u00e8s Valence
\nwith the support of Centre de D\u00e9veloppement Chor\u00e9graphique de Toulouse, Midi-Pyr\u00e9n\u00e9es Service culturel Ambassade de France, New-York, TnBA-Th\u00e9\u00e2tre National de Bordeaux en Aquitaine
\nin 2012 in co-production with Le Grand T – sc\u00e8ne conventionn\u00e9e Loire Atlantique, Nantes – Th\u00e9\u00e2tre du Rond-Point, Paris
\nwith the support of Th\u00e9\u00e2tre Garonne – sc\u00e8ne europ\u00e9enne, Toulouse – TNT – Th\u00e9\u00e2tre national de Toulouse Midi-Pyr\u00e9n\u00e9es, L\u2019Usine – lieu conventionn\u00e9 arts de la rue, Tournefeuille
\nwith the support of Minist\u00e8re de la Culture – Direction G\u00e9n\u00e9rale de la Cr\u00e9ation Artistique e Direction R\u00e9gionale des Affaires Culturelles Midi-Pyr\u00e9n\u00e9es, R\u00e9gion Midi-Pyr\u00e9n\u00e9es, Conseil G\u00e9n\u00e9ral de la Haute Garonne, Ville de Toulouse, Convention Institut Fran\u00e7ais – Ville de Toulouse, ADAMI
\nCompagnie 111 – Aur\u00e9lien Bory has the support of the Minist\u00e8re de la Culture et de la Communication – Direction R\u00e9gionale Midi-Pyr\u00e9n\u00e9es, R\u00e9gion Midi-Pyr\u00e9n\u00e9es and\u00a0 Ville de Toulouse
\nCompagnie 111 – Aur\u00e9lien Bory received the support of Foundation BNP Paribas for the development of its projects
\nCompagnie 111 – Aur\u00e9lien Bory is associated with Grand T – sc\u00e8ne conventionn\u00e9e Loire Atlantique, Nantes
\nShow created in January 2003\u00a0 at the Th\u00e9\u00e2tre Garonne, Toulouse
\nShow planned in collaboration with FranceDanse 2013, Institut Fran\u00e7ais Italia \/ Ambassade de France en Italie, Nuovi Mecenati Fondazione Franco-Italiana per la Creazione Contemporanea, Institut Fran\u00e7ais and Torino incontra la Francia<\/p>\n

Plan B<\/em> is a show that plays with the spirit of adaptation of the human beings, whose certainties\u00a0 are daily undermined by a\u00a0 swirling change world. Four men in jacket and tie, four yuppies, who defy the gravity on an inclined plane which look as if it were floating. Suddenly the plane straightens out, it becomes a wall where the dancers -acrobats fight against the laws of physics and are almost free to soar a liberating flight\u2026 In Plan B<\/em> we find the fundamental elements of the theatre by Aur\u00e9lien Bory: a living\u00a0 scenography as an installation and a strong acrobatic dance for a vision of the dramaturgy, which is open to contemporary, cinematographic and\u00a0 circus arts. Plan B<\/em> is the second part of a triptych of the Compagnie 111, which began with IJK, and engages the director and an expert in acoustic physics Aur\u00e9lien Bory as well as the\u00a0 New Yorker\u00a0 director Phil Soltanoff. From his innate passion for juggling, Bory\u00a0 has developed a “physical theatre”, who lives of the intersections between the performing arts (theatre, circus, dance, visual arts, music … ).
\nPlan B<\/em> (2003) and Pi\u00f9 o meno infinito (2005) have been created\u00a0 with the collaboration of Phil Soltanoff.
\nFor Torinodanza festival 2009 Bory has directed Pierre Rigal in \u00c9rection.<\/p>\n

Fonderie Limone Moncalieri – Sala grande<\/strong>
\n November 13 – 14, 2013 | Italian Premi\u00e8re \u2013 08:30 p.m. [length 90\u2019]<\/strong>
\n PARTITA 2<\/strong>
\nSei solo<\/strong><\/em>
\nChoreography: Anne Teresa De Keersmaeker
\nInterpreters: Boris Charmatz, Anne Teresa De Keersmaeker
\nMusic: Partita No. 2, Johann Sebastian Bach
\nViolin: George Alexander van Dam
\nCreated with:\u00a0 Amandine Beyer, George Alexander van Dam
\nScenes: Michel Fran\u00e7ois
\nCostumes: Anne-Catherine Kunz
\nArtistic assistant : Femke Gyselinck
\nArtistic coordination: Anne Van Aerschot
\nTechnical coordination: Joris Erven
\nProduction: Rosas
\nWith the support of Mus\u00e9e de la danse – Centre chor\u00e9graphique national de Rennes et de Bretagne
\nIn co-production with La Monnaie – De Munt (Bruxelles), Festival d’Avignon, Les Th\u00e9\u00e2tres de la Ville de Luxembourg, Kunstenfestivaldesarts (Bruxelles), ImPulsTanz (Vienna), La B\u00e2tie – Festival de Gen\u00e8ve, Berliner Festspiele, Th\u00e9\u00e2tre de la Ville con il Festival d’Automne di Parigi, Funda\u00e7\u00e3o Calouste Gulbenkian (Lisbona)<\/p>\n

A spontaneous improvisation session early one morning in 2010, on the empty stage of the Celestin Convent in Avignon, brought to light the evidence of the natural artistic bond between Anne Teresa De Keersmaeker and Boris Charmatz. Both share a love for choreographed structure and a need for the freedom of improvisation. It\u2019s through the living architecture of the music of Bach’s Partita No.2, played live on stage by George Alexander Van Dam, that Anne Teresa De Keersmaeker’s choreography takes form. Both artists seek out the dance inherent in the music, conscious of Bach\u2019s mastery, yet not overly reverential.Boris Charmatz is a Frenchh contemporary dance choreographer and dancer.He\u00a0 is considered to be one of the leaders of the French new wave.The Flemish Anne Teresa De Keersmaeker had her debut in the early 80\u2019s. Now she is a resident artist at the Teatro La Monnaie in Brussels with her own company Rosas.The space-time search, the gestural recurrence and the music are her expressive features, where you can feel the influences of Lucinda Childs and Pina Bausch.The great international success arrives with Rosas Danst Rosas in 1983, a masterpiece which is still in repertoire and was\u00a0 welcome by an enthusiastic success at Torinodanza\u00a0 in 2010.In 1995 P.A. R. T. S. (Performing Arts Research & Training Studios) is founded to disseminate the Rosas heritage to young generations of the company dancers.It animated the Focus Al femminile of Torinodanza 2011 with Bart\u00f3k \/ Mikrokosmos and Cesena. Partita 2 \u2013 Sei solo will debut at the Kunstenfestivaldesarts of Brussels on May 3, 2013.<\/p>\n","protected":false},"excerpt":{"rendered":"

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